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Guitar effects pedals (or “stompboxes”) have been a mainstay in guitarists’ sound-palettes since the early 1960’s when engineer Roger Mayer is purported to have built the first guitar effects pedals, the “fuzz” pedal (the precurser of the modern overdrive and distortion pedal) and the wah-pedal. Mayer’s creations graced the stages of such rock luminaries as Jeff Beck, Jimmy Page, and Jimi Hendrix (supposedly, Mayer created the first pedals for his friend Page in the early 1960’s). Mayer’s legacy lives on, as guitar effects are used by guitar players across the globe.

Guitarists use effects pedals to give themselves a wider variety of sound choices to use during recording or live performances. While different amplifiers can offer some of the alternatives, not many amplifiers have built-in effects. Besides, guitar players would have to go to their amplifiers every time they wanted to make a change. Effects pedals are much more convenient, especially since guitarists often change tones in the middle of a song.

Not unlike the electric guitar and amplifier itself, effects pedals contribute to guitarists having a broad range of tonal expression. Today, even classical and acoustic guitarists use these effects, though they tend to avoid the distortion, overdrive, and wah pedals used by electric guitarists.

Since the first pedals were created, rack-mounted guitar effects have become more common. These were more popular during the 1980’s, thanks to companies like Yamaha and Eventide. Since rack gear requires a more sophisticated and time-consuming approach (not to mention considerably more money) than pedals, most guitar players prefer effects pedals for their simplicity and tweakability.

When they have their effects selected, most guitar players will mount their pedals on a pedalboard to facilitate transportation and storage of their effects. This system makes it much easier to activate the pedals as well, since they are contained in a relatively small space. Since wah and volume pedals operate a bit differently (they are rocked back and forth rather than simply switched on), they are mounted to make this usage easier.

For ease of use, most (if not all) effects pedals can be turned on or off with a simple step of the toe, which can be useful in many musical situations. For example, if one wanted to switch from a heavily distorted tone to a clean tone quickly and easily, in order to have different tones for different sections of the song, it’s easy to do so. Another quick motion and the distorted tone returns. Simple!

It’s safe to say that most guitarists expend a lot of effort to get the “perfect” sound, and this involves configuring their guitars, amps, and effects pedals in the right combination. There are many different types of effects for players to chose from today: delay, vibrato, tremolo, chorus, pitch-shifting, flanger, overdrive, distortion, and the list goes on and on. Such effects can have significant changes on a guitarist’s sound, which explains their ever-increasing popularity.

So if you are a developing electric guitar player who wants to explore new sonic landscapes, check out some guitar effects pedals today!

Author R. S. Rasnick is the owner of JustEffectsPedals.com, where you can find all the effects pedals mentioned in this article and many, many more!

Article Source:http://www.articlesbase.com/music-articles/guitar-effects-pedals-a-buying-guide-1104193.html

It seems that rock guitar players have always been a crowd pleaser, even going back to the days of Les Paul. He may not qualify as a rock guitarist in the sense that we understand it today, but Les Paul certainly made people sit up and take notice whenever he played. Of course, Les was in at the very beginning of the solid body electric guitar’s entry onto the stage, so at that time there were very few guitarists who were even interested enough to get the technique to become a great rock guitarist.

The foundation of the concept of the rock guitarist lay in the consolidation of the small group with drums, bass, lead and rhythm guitars, plus, maybe a keyboard. Groups like The Shadows, The Ventures and Dick Dale’s Dell Tones made young men go out and buy guitars and sit in their rooms for hours practicing. When The Beatles became the first small group to gain international attention from people of all ages, the guitar reached the height of its popularity.

The era of the great rock guitarist began in the late sixties with Eric Clapton in Cream. But as with all innovations, there was someone else working on his flamboyant guitar technique in another part of the world. Jimi Hendrix’s first appearance in England made Eric Clapton feel a little insecure on his throne, as his guitar playing and stagecraft hypnotized audiences. The extended guitar solo was born, along with its dull-witted siblings the bedroom guitar and the garage band.

If we think about who we consider to be the world’s greatest rock guitarist, names from the sixties and seventies, like Jimi Hendrix, Jimmy Page, Eric Clapton immediately appear in our heads. Indeed, most people who vote in polls about this sort of thing seem to go for Hendrix – a guitarist who had a very short life about forty years ago.

These are guitarists who became famous when loudness was king of rock guitar and flashy technique was its gay partner, but what about the guitarists whose names are not generally known, even though they were with popular bands? Pete Ham of Badfinger springs to mind, or Jerry Miller of Moby Grape. Mick Ronson was an English guitar player who made a name for himself as David Bowie’s lead guitarist, and Mike Campbell, Tom Petty’s guitarist for about a zillion years is admired by many guitar players but unknown to the general public. There are lots of guitarists in bands now whose approach to music is very different from the rock guitarists of previous decades, even though their debt to the music of the seventies is obvious. The question of who is the greatest rock guitarist of all time will continue with more names being added to the mix as time goes on.

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