1.    Amy Lee (b. 1981) – You may know Lee more as the lead singer of Evanescence. With an almost angelic voice along with some heavy metal music, Lee is known for “Bring Me To Life”, which received 2004 Grammy Award for Best Hard Rock Performance. Lee, a classically trained pianist, founded Evanescence in 1995 and by the late 90’s the group had released its major-label debut, Fallen, which featured not only the award winning single “Bring Me To Life” but also “Going Under” and “My Immortal.” Fallen went on to sell fourteen million copies worldwide. Amy Lee was born to parents John Lee, a disc jockey and TV personality, and Sara Cargill.

2.    Amy Winehouse (b. 1983) – Winehouse’s notoriety has more to do with her personality at times than her voice. Winehouse is most noted for her song Rehab, where she won 2008 Grammy Awards in the categories of Record of the Year, Song of the Year, and Best Female Pop Vocal Performance. Her album Back to Black was nominated for Album of the Year and won the Record of the Year award. Amy Jade Winehouse (born 14 September 1983) is known for her eclectic mix of various musical genres including R&B, soul, jazz, and rock & roll.

3.    Joss Stone (b. 1987) – Stone, another British rocker, is likened to Aretha Franklin. Stone became a familiar name in late 2003 with her multi-platinum debut album The Soul Sessions. Her second album, which also received multi-platinum awards, Mind, Body & Soul, topped UK Album charts and led with its top ten hit “You Had Me”.  Stone has sold over 10 million albums worldwide. Joss Stone, born Jocelyn Eve Stoker, is considered a soul and R&B singer–songwriter and actress. She also made her acting debut in late 2006 with the fantasy adventure film Eragon, as the witch Angela, and she made her television debut portraying Anne of Cleves in the Showtime series The Tudors in 2009.

4.    Rihanna  (b. 1988) After moving to the United States at age of 16, she pursued her recording career and signed with Def Jam Recordings. In 2005, Rihanna released her debut studio album, Music of the Sun, which peaked within the top ten of the Billboard 200 and features the Billboard Hot 100 hit single “Pon de Replay”.  Success was instant for Rihanna as within the same year she released her second studio album, A Girl Like Me (2006), which peaked within the top five of the Billboard albums chart. Singles for Rihanna include “Umbrella”, “Take a Bow”, “Disturbia”, and “Don’t Stop The Music”. Rihanna has sold over 12 million albums worldwide in her four-year career span. Robyn Rihanna Fenty was born in Saint Michael, Barbados.

5.    Stefani Joanne Angelina Germanotta (b. 1986) is better known by her stage name Lady Gaga. After being signed to and quickly dropped from Def Jam Records at age 19, she began performing in the rock music scene of New York City’s Lower East Side. Her debut album The Fame, was released in August 2008 and achieved instant access, topping the Billboard with singles “Just Dance” and “Poker Face”. To date, Lady Gaga has sold over 20 million digital singles and more than four million albums worldwide.

6.    Avril Lavigne (b. 1984) – Avril Ramona Lavigne is a Canadian singer-songwriter, fashion designer, and actress. Lavigne became most notorious her debut album, Let Go, released in 2002. As of 2009, over 16 million copies were sold worldwide, more than 6 million of which were sold in the United States. Her second and third album, Under My Skin and The Best Damn Thing, reached number one on the Global charts. Lavigne has scored five number-one singles worldwide, including “Complicated”, “Sk8er Boi”, “I’m With You”, “My Happy Ending” and “Girlfriend”. Lavigne has sold more than 30 million copies of her albums worldwide.

7.    Katy Perry (b. 1984) was born Katheryn Elizabeth Hudson in Santa Barbara, California.  The second child of two pastors, she has an older sister and younger brother. Perry is most notorious for her single “Kissed A Girl”, released in 2008 and “Hot N Cold”. “Kissed A Girl” peaked at number one on the Hot Digital Songs charts, the Pop 100, and the Billboard Hot 100. “Hot N Cold” peaked at number three on the Hot Digital Songs charts, number one on the Pop 100, and number three on the Billboard Hot 10.

8.    Leona Lewis (b. 1985) Leona Louise Lewis, an English pop and R&B singer–songwriter. Lewis debut single “A Moment Like This” became the fastest selling UK single followed quickly by her single “Bleeding Love”, which reached number one over thirty singles charts around the world. Lewis is also known for her work on the British television series The X Factor. Lewis has sold over 6.5 million albums worldwide.

9.    Natsha Bedingfield (b. 1981) Natasha Anne is also a British pop singer and songwriter. Bedingfield is known for her first album “Unwritten” in 2004 which sold 2.3 million copies worldwide. This was followed in 2008 by her successful single “Pocketfull of Sunshine” Bedingfield was born in Surrey to New Zealand-born Molly and John Bedingfield who are both charity workers.

Jeff Bachmeier is owner of 977music.com, an online music and online radio station network providing live streaming Internet Radio channels with music from the 50’s thru Today. Users can also choose to create their own customized on demand playlist through their own social media profile. For more information please visit http://www.977music.com.

Article Source:http://www.articlesbase.com/music-articles/top-young-women-pop-music-artists-1411552.html

[EDF] So let’s start with the basics. What are your department’s [International Marketing Department] primary responsibilities?

[CW] Our department is responsible for everything related to international repertoire, including publishing, production, press releases, marketing, promotions, events, and strategic marketing. It is all focused on promoting international artists on Sony Music’s roster in Chinese territory.

[EDF] And what are your specific functions as department supervisor?

[CW] My functions include everything above, with a focus on production, preparing all press releases, artist/album information and artist promotions across all media platforms. In addition, while we have a digital department, I am also responsible for online marketing as well as over ten artist global websites plus Sony Music official site updates. In short, we are a small version of a label, except for the A&R function.

[EDF] Right, your roster is given to you. But what a roster I must say! What are some of the artists/projects that you have worked on this year so far?

[CW] The releases I’ve worked on this year include Dido – Safe Trip Home, Pink – Funhouse, Oasis – Dig Out Your Soul, Beyonce – I Am.. Sasha Fierce (2CD), Celine Dion – My Love: Ultimate Essential Collection (2CD), Westlife – Karaoke DVD, John Legend – Evolver, Britney Spears – Circus, Christina Aguilera – Keeps Gettin’ Better – A Decade Of Hits, Il Divo – The Promise, Sarah McLachlan – Closer: The Best Of Sarah McLachlan, The Fray – The Fray, David Archuleta – David Archuleta, David Cook – David Cook, Kelly Clarkson – All I Ever Wanted, and Michael Jackson 4 album re-releases (The Essential Michael Jackson, Thriller, Off The Wall, Invincible)

[EDF] The biggest star in that list is Michael Jackson, who passed away very recently. How did the Chinese media react to his death? And what was it like for you as the media’s main intermediary for the story?

[CW] Yes, Michael Jackson’s death had a huge impact on us. Do you know how I found out about his death? The news was announced around 3 AM Beijing time. I still clearly remember that morning. I was waken up by a phone call from a media outlet requesting his album information.

The Chinese media was so shocked by Michael Jackson’s death. Early morning radio shows did features on him, print and internet all wrote positive reviews on his life and career. By noon, there were already programs dedicated to him on TV. So it was really widely covered and lasted for a couple of weeks. There are still TV programs rotating Michael Jackson’s stories every day. Our department provided as much as information we could to the public, including sending out press release and audio/video content to support the media’s coverage.

[EDF] The artists you work on are some of the biggest names in the music industry. So what works in reaching your chinese audience: radio, TV, print, web?

[CW] For international artists, the web naturally offers the most information, followed by radio and print. In the case of radio, despite the dominance of domestic repertoire, stations love to play the newest western music and they’ll rotate a single quite often in the first two weeks, generally. Some radio stations even follow the US or UK charts.

But with respect to the artists that attracted the most media attention: Beyonce, Britney Spears, Celine Dion, Christina Aguilera and Kelly Clarkson. They all enjoyed good levels of print coverage, which also serves an important role in reaching our audience.

In regards to TV, there’s very limited coverage for international content.

[EDF] People are surprised when I say, “Chinese people don’t like Western music.” Of course, it’s not that they don’t like Western music, but we in the West tend to assume they do. So I use the phrase to drive a point: international repertoire represents a sliver of the overall chinese market.

[CW] Yes, the international repertoire represents a very small portion of the overall Chinese market. The domestic repertoire is very dominant. However, Chinese consumers do like big names and established pop/ R&B artists, such as Britney Spears, Christina Aguilera, Backstreet Boys, Westlife, Celine Dion, Barbra Streisand, Dido, Beyonce, Avril Lavigne, and Michael Jackson, of course. In more recent years, rock bands and hip-hop artists have been gaining popularity. In terms of sales, though, major Chinese pop stars seem to attract a broader audience.

[EDF] How difficult is it to create awareness around a new project?

[CW] It is relatively easy to create awareness on a new project for a globally established artists. However, the difficulty is in broadening the audience beyond their existing fanbase, or, even more challenging, breaking in new artists. Ten years ago, the domestic repertoire market was not very well developed. There weren’t nearly as many pop stars as today. Most of the artists you’d hear of would be from Taiwan, Hong Kong or the West.

But over the past ten years, the Chinese domestic market has grown dramatically. More people are paying attention to the domestic repertoire now. This is particularly true for those with language barriers — in other words, most Chinese — who are being offered an ever-growing number of opportunities to enjoy Chinese music instead of being “forced,” out of a lack of choices, to listen to western music.

Many assume that because the market is more open than before and young people have more foreign experience through higher education, there would be a larger amount of people enjoying western music. And while It’s true that more people appreciate western music today, at the same time there are many new ways to access information and music. These people are innovative and creatively discovering unknown music. The chinese youth is more active than ever before and are finding their own cultural identity through music.

The Chinese media market is generalized and complicated; unlike the U.S. market which is fragmented along genres and lifestyles, such as, Disney Radio for pop music and The Source for hip hop. The lack of niche media markets in China makes it difficult to know which consumers you are reaching through a media outlet. This makes it particularly challenging to break new artists. For the people who like western music but cannot find a great music platform to know what is new, they tend to stick to the established names, which makes this small group of people very loyal to the artists, such as Celine Dion and Dido.

To add to the point about media, people working in the industry tend to have a preference for Chinese music. Therefore, DJs tend to play Chinese music more often and journalists are more likely to cover Chinese artists they know, rather than spending the time learning about what’s new in western music market. In order to create greater awareness among media and the consumers, education still has a long way to go.

[EDF] The key point I retained is that China is a very challenging market, in large part because it is still on a path of development, from a copyright regime to supporting creativity. There is no question that the Chinese music industry and consumers will become increasingly sophisticated over the next decade. The question is how to position oneself to be able to play a role in that development.

MusicDish LLC is a veteran internet company that is composed of several divisions designed to help both indie artists and business professionals expand their reach in the digital world.

Article Source:http://www.articlesbase.com/music-articles/industry-spotlight-christine-wang-supervisor-of-international-marketing-department-at-sony-music-entertainment-china-1094156.html

“Take Me Out,” by Franz Ferdinand

Franz Ferdinand broke into the euphony scene during this decade, and the music view hasn’t been the same since. Their Songs often destroy musical conventionalities in terms of euphony and Words—and this noticeable in one of their previous Vocals, “Take Me Out.” This song has the Lyric Poems and the euphony that can be seen in most of their Songs. The aim to break away from the common is there; but it corpse to be visible and dulcet. The experiments in the Words and the melodic phrase did not make the capital of the song have.

“Sk8r Boi,” by Avril Lavigne

One look at Avril Lavigne, one could tell that she is variant from pop princesses Britney Spears, Christina Aguilera, Jessica Simpson, and Mandy Moore. The song lyrics —like the Lyric Poems of one of her earlier hits “Sk8r Boi”—prove that she is indeed the anti-thesis of these maidenlike creative people, a sign that their reign as top pop female artists has come to an end. Her Lyric Poems are so different from these identical creative people and that retracted millions of fans, making her among the best dealing female creative people of all time despite her less than 10 years in the line of work.

“We Belong Together,” by Mariah Carey

Mariah Carey was all but saw a has-been during the first half of the 2000s, but her “We Belong Toegther” gave her career a much taken encouragement. With this vocal, Carey given as a chart-topping artist. The Lyric Poems of the vocal, as connoted by the title, are sensual and sexy, still fitting the earlier image of Carey. But the Words are also undeniably more developed than Carey’s earlier outings. Without a uncertainty, “We Belong Together” signifies the re-emergence of one of the vastest creative people of the 1990s.

“Jesus Takes The Wheel,” by Carrie Underwood

By the time American Idol winner Carrie Underwood exhausted this shamelessly area single, the reality show where she became from is turning out to be the hugest lyrical charm in the country. “Jesus Takes The Wheel” points the start of American Idol’s influence in the music industry and mainstream popularity of country euphony. Everything about this song is country—from the Lyric Poems to the melody, not to advert the theme—so it’s surprising that it became a crossover voter hit. Others contend that Underwood can’t be believed as a real country vocalist. Yet, this is fast that she comes after as an artist.

In this article the author writes year 2000 and the following years merely came after the present drifts from the last mentioned part of the 90s, although many of these slues perished out.For more information on lyrics, songs lyrics, music lyrics, music and lyrics visit at http://www.smartlyrics.com/

Article Source:http://www.articlesbase.com/music-articles/the-hottest-so-far-top-vocals-and-lyrics-of-the-21st-century-927638.html